For project 1 I decided to look at audience. I chose three
artifacts from the musical craze of Hamilton:
the cover of the book, Hamilton, by
Ron Chernow, to represent the book, the musical’s poster as a representation of
the play, and the CD case of the Hamilton
Mixtape as a representation of the covers of the songs from the musical. My
aim is to look at what audiences these three medias appeal to, and how they
appeal to them. I believe my artifacts teach us about the different modes a
story can take, and how one medium can be more appealing than the others to
certain groups of people. I think that there is a definite trend among these
artifacts, culturally as well as in the vein of simplification of stories to
achieve success of product.
Looking at Edbauer’s rhetorical ecology, I can see that the
mixtape evolved from the musical, which in turn evolved from the book. Each of
these products have been absorbed into society, and the popularity of the
musical created a definite shift in the way that society looks at musicals and
music (how they can be “cool”). Circulation of a product can spark greater
interest in an audience and can allow something to gain popularity because it
is being transformed and grown. What I mean to say is: no one really cared
about a book written about Alexander Hamilton, until there was a catchy
musical, and then everyone went crazy about it. That would not have happened if
the story of Hamilton hadn’t been repackaged and put back into circulation.
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