In “Arola and Arola an Ethics of
Assemblage,” the idea of “bare repetition” is introduced. This notion, created
by Deleuze, is the idea that repetition is governed by nostalgia. An example
that is given relates to someone performing an exact dance from his or her
ancestors in order to honor a tradition. An ethical assemblage, on the other
hand, changes the original piece while still crediting the original work. In
the article, ethical assemblage is considered creative repetition because it
expands on the original assemblage.
An example of a “bare repetition”
assemblage is anything that is used again but not changed at all, such as a
traditional song or prayers. When I was growing up I would go to Sunday school
at temple, and there I would learn how to read or recite numerous songs and
prayers. My teachers would tell us that these were the exact same prayers that
our parents, grandparents, and so on have read. This is an example of an
assemblage, because we are using the prayer in a different time in a place but the
content of the prayer hasn’t been changed at all.
An example of an ethical repetition
could be anything that has circulated through out the media and has changed the
original content. When you share a post on Facebook, but add your own caption
to the post, that’s an example of creative assemblage because you’re adding a
new meaning to the post, but the original content is still there.
We should definitely still take
into consideration potentially hurtful assemblages and analyze them the same
way we would analyze safe ones. Although these assemblages will do more good
than bad, by reviewing them we can still learn a lot from their essence. I
don’t personally think Fair Use does anything to ensure that assemblages do
more than create bare repetition.
Circulation can definitely affect assemblage’s
ethical status. Every time something is circulated people have the ability to
create their own assemblage out of that work. This can possibly diminish the author’s
work or put them on a pedestal, it really depends on how the work is being
circulated.