Journal 6
According to the article, a bare repetition is a
replication of the same colonized understanding of native culture, giving the
example of remixing the Santigold track with a powwow song. Another example I
could give of this would be the movie Avengers because it is a popular modern
collaboration of Marvel’s superhero’s leaning to fight together as a team. This
movie would typically reach younger ages but because of the modern day blend,
it might draw an older audience who want to watch their favorite childhood
characters mesh with others. Arola and Arola also tell us that ethical
assemblages involve keeping both the idea of peoples and culturing in mind when
working with the rhetorical potential of assemblages encourages a richer
understanding of both purpose and audience- “why, and for whom does this
benefit?” Another example I could give representing the idea of an ethical
assemblage would possibly be the song “Blessings” by Chance the Rapper. I
choose this because Chance combines Christianity into his rap music- which are
typically two separate entities. Not only that but they both cater to specific
cultures and people. This audience would primarily be millennials, but because
of its Christian content it might reach a more wide spread audience for those
that are religious. At the beginning of the article they mention, “I don’t
think it’s strange.... As for some people thinking it’s disrespectful, we’re
not remixing any honor songs.” That said, I don’t think they are composed to be
hurtful and should instead be viewed as creative. Fair
Use doesn’t always ensure that assemblages do more than create bare repetition,
meaning that circulation can affect an assemblage’s status and they can be
misinterpreted. The distribution and circulation of assemblages position the
authors, subjects, and readers because it transforms a work or text into a
combination of similar components and then is received differently (whether
good or bad) by either the audience or creates an entirely need genre for the
subject.
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