Assemblages and repetition go quite easily hand in ahnd.
According to Arola and Arola, bare repetition is almost an exact replication
for the purpose of preserving the importance of culture, whereas a creative
repetition is an interpretation of the original assemblage. An example of a
bare repetition is Harry Potter World at Universal Studios in Orlando, Florida.
It is a replication of the scenes in the movies, which are an assemblage of the
Wizarding World that J.K. Rowling created. All aspects of Harry Potter World,
from the train ride, Hogsmeade, and Hogwarts Castle, were built in honor of the
incredible assemblage Rowling created. They are exact replicas of the original
ideas in order to attract the greatest amount of visitors and fans.
Assemblages
can be much more than social, and as seen in Arola and Arola’s piece, can be
very pragmatic to cultural situations. An assemblage is defined as something
that is “is alive and active, it is in flux and flight. It is the permanence of
becoming. Moreover, the work of an
assemblage aims at ridding us of any subject of action that
could be characterized as standing as the lone agent relative to the passive
material of experience” (Arola). An example of an ethical assemblage is the use
of sombreros as a cultural appropriation in today’s society. Is it ethical for
people who host Mexican themed parties to require of their attendees to wear a
hat that once served a unique purpose in Mexican culture? In American society,
sombreros are seen as a relaxed example of a party, when in reality they served
a strong purpose for Mexicans in the hot southern sun.
When
responding to potentially hurtful assemblages, I always think communication is
key. I am a very passive person by nature, but I don’t think it’s necessary for
a fight to break out just because a white person wears a head dress, or because
a sombrero party is throne. Communicating the hurt that cultural appropriation and
negative ethical assemblages may not change the circumstances, but the shared
knowledge of ethics and feelings creates an understanding that may not have
been had beforehand.
Assemblages
change, they are constantly in flux, and it is because of this that they can
often be changed throughout circulation. Though they are not always intended,
these changes can cause a lot of difficulty for the original authors. For
instance, in the Arola and Arola piece, we learned of the powwow music that was
amped up into a disco song that ultimately caused an audience to do obscene and
discriminatory actions. The author of the original powwow music may have been
really hurt, had he or she seen this, but they may have also felt happy that at
least their music was being heard. The actions and reactions of the authors of
assemblages is all relative.
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